Its not all black and white is made with pattern bars in the center that are black, white and a bit of blue and red that are then assembled with strips of black and white all around. I don't normally work in black and white, yet I was making a black and white pattern bar and as I was making it - I just had to add a bit of color. Nothing is all black and white in my colorful world.
The artwork is mounted on brushed stainless steel, wired for hanging with welded brackets to keep the artwork flat and straight on the wall with no tilting.
Dimensions: 11.5" wide x 11.5 tall x 2" deep
Making Pattern Bars
It takes several steps and kiln firing along with coldwork to make the pattern bars used to make this abstract art.
- My goal is to create organic flow of colors and patterns, so I start with my color choices and cut the glass to various sizes.
- The glass is stacked in a predesigned order on top of steel rods that are above a stainless steel form, in this case, a rectangle shape.
- I use a specific kiln fusing schedule to melt the glass, avoid bubbles and get an organic flow. As the temperature in the kiln rises above 1500 degrees the glass will begin to melt and flow organically and fully flow through the rods at 1680 degrees Fahrenheit. It flows into the former which contains it and it gets very thick.
- After annealing, the pattern bar is thick and long. I first grind all the edges smooth on a lap grinder. The hot temperatures and containment against the fiber paper lining the former cause the edges to be rough.
Then I slice the pattern bar with a tile saw. By keeping the slices in order, I can match up the slices into patterns. After slicing I study the patterns and shapes and determine how I want to incorporate them into art.
- Once I have decided on a design, I cut any additional glass required and assemble in the kiln for the next firing that fuses the pattern bars together.